Features

Not just a rebellious phase: National Youth Orchestra of Great Britain

The long-standing pinnacle of musical achievement for many a young classical musician, the National Youth Orchestra has been rejuvenating its offering for the 21st-century teenager. Claire Jackson speaks to two young musicians and chief executive and artistic director Sarah Alexander to find out more.
 NYO rehearsing for a performance at the Barbican in January 2022
NYO rehearsing for a performance at the Barbican in January 2022 - David McCaffrey, NYO

There's a point around the Easter bank holiday that the dreams return. I'm sat in an examination hall, trying to scribble down my answers to an unknown paper. But building work is going on outside and I can't concentrate. My essay-writing is stilted; fluidity evades me. I'm going to fail the exam. It's the end of the world. I wake, clammy and confused. I haven't taken any sort of academic assessment for nearly two decades – yet every year, just before the summer term commences, I am temporarily gripped with anxiety.

The word ‘Kettering’ has a similar effect: the Northamptonshire town is indelibly marked as the location of my failed audition into the National Youth Orchestra of Great Britain (NYO), and forever associated with shame and disappointment. But while many students must still contend with a school system that revolves around high-stakes qualifications, many of the hierarchical processes at NYO have been dismantled – prospective members can expect a much more enjoyable journey.

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