Jam Origin MIDI Guitar 2 is a piece of software that bridges the gap between the guitar and the digital world by converting the input signal into MIDI data without the need to install an expensive special pickup (e.g. the Roland GK-3 or Fishman TriplePlay). This technology offers numerous benefits for both guitarists and educators. All you need to do is plug the guitar into an audio interface, which then connects to the computer. Set Jam Origin as an insert on your channel, and you are ready to go! If, for any reason, you can’t get things working, the website has a comprehensive help section for all the different DAWs. Understandably, there isn’t a onesize-fits-all solution for everyone, as all the software differs slightly in complexity.
Expanding horizons
Guitarists can now explore and experiment with a wide range of sounds and textures that were previously inaccessible. You can trigger any virtual instrument, whether that’s a synthesiser, a violin or one of your own third-party plugins. MIDI Guitar 2 also hosts a set of sounds (ready to use) plus extras such as a polyphonic tuner and arpeggiator. One application I almost missed was that you can convert previous recordings into MIDI format. This opens up lots of options for creative tasks in the classroom. For example, you could take a famous guitar riff, transpose it, then have it performed on a virtual instrument and add three-part harmony to it!
For composing and arranging tasks, the software is an invaluable tool. Students can quickly map out musical ideas via their instrument, then refine and expand these within the DAW.
The ability to convert complex guitar parts into MIDI data simplifies the process and saves time. You can then export the part into notation software to create a score if required. Teachers can create interactive lessons based on the software’s capabilities. For instance, a lesson on harmony can involve students trying chord voicings, which are then visualised as MIDI data on a screen. This is particularly useful as guitarists tend to structure chords differently from pianists due to fingering limitations. Naturally, this works the other way too: students of other instruments can see how guitarists approach composition.
In performance settings, students can use the software to add layers and textures to their live performances. A solo guitarist can transform their sound by integrating synth pads or orchestral sounds, creating a richer and more dynamic performance. Similarly, in recording sessions, students can experiment with different timbres and arrangements without the need for multiple instruments or complex setups.
Limitations
One thing that the software can’t do is detect which string is being played. Therefore, transferring a composition into guitar notation software that displays tablature will require work. Another thing worth considering is that the player must ensure their guitar has good intonation; otherwise, you confuse the tracking within the software. Personally, I found it also helped placing a hairband or wrap over the nut to stop any sympathetic ringing from the strings. I was pleasantly surprised that guitar-specific techniques such as tapping and sweeping worked well.
MIDI for all
What excites me most about MIDI Guitar 2 is how it nurtures an atmosphere of inclusivity. I always find it disheartening to see a guitar student sat at a MIDI keyboard, struggling to input creative ideas into a DAW when they could be playing their own instrument. It is worth noting that you can install the software for PC, Mac or iOS; if you are intimidated by programs such as Logic and Cubase, therefore, you do have the option of using iPads.
Another product offering a similar experience but for vocalists is Dubler 2 from Vochlea Music. This works in a similar way but with a microphone and different user-interface. I truly believe that teachers should consider purchasing these types of software, even for just one or two computers. It’s well worth the effort to see students fully engaged and creatively liberated on their primary instrument.
Free trial available
- Windows and Mac £117
- GarageBand £47
- iPhone and iPad £8 to £39
