The resource provides an analysis of the three set works in WJEC’s AoS F, List A, Strand 1: Impressionism.
Phil Baker Teaching Materials
There are already many resources available for this set work, both from Eduqas and from the internet more widely. This resource won’t duplicate their content. Instead, we’ll look at ideas for...
Jane Werry Teaching Materials
The last five resources in the Developing Wider Listening series – which has now been running for over two years – have taken us on a journey through a huge diversity of popular musical styles, which...
Simon Rushby Teaching Materials
There was a time when many professional brass players would have been multi-instrumentalists, but these days we tend to have only one main instrument that we study to a professional level. Any...
Richard Steggall Teaching Materials
This is the first in a short series of resources looking at the different aspects of sound recording in schools.
Paul White Teaching Materials
The pop scene in the 1980s was a hugely diverse, technology-driven hotbed of high fashion, music videos and ultra-fast stylistic changes. In part one of this resource (Music Teacher, February 2023) we...
Simon Rushby Teaching Materials
Contemporary ‘classical’ music is an essential element of any music course, at any level. If we are to create lifelong learners who take a passion for music into their adult lives, it’s imperative...
David Guinane Teaching Materials
A resource for visiting music tutors on teaching small groups.
Richard Barnard Teaching Materials
The moment that you need to set cover is never the right moment to have a good think about creating good cover lessons. In a worst-case scenario, you’ll be sick or completely incapacitated, and even...
Jane Werry Teaching Materials
Alongside the prescribed work in OCR’s Area of Study 1 (Instrumental Music of Haydn, Mozart and Beethoven), it’s essential that students familiarise themselves with wider listening from this period.
Hanh Doan Teaching Materials
The first question with warm-ups is: why should my students warm up? The simple answer is that it will make them better musicians.
Paul White Teaching Materials
This resource will focus entirely on Debussy’s Nuages, to help students prepare for the component 3 written exam. There’s more detail on the kinds of questions that can be asked, as well as a sample...
Simon Rushby Teaching Materials