This month, we’ll continue our journey from the 1950s to the present day, picking out some worthwhile examples and identifying some performing, composing and listening activities that can help your...
Simon Rushby Teaching Materials
This resource will consider two works: Liszt’s Prometheus, written in 1850, the fifth of his 13 symphonic poems; Dvořák’s The Noon Witch, written in 1896, the second of his later set of five symphonic...
Jane Werry Teaching Materials
In this resource, I’ll be exploring a range of jazz standards to give students an understanding of common chord progressions, as well as harmonic direction, structure and devices that will aid their...
David Guinane Teaching Materials
In this resource I’ll explore how teachers can cultivate independence in students both during and outside their lessons. I’ll examine a range of different theories that we can employ in order to...
Helen Reid Teaching Materials
One of the things that makes music a difficult subject to teach is its very nature. It’s ephemeral and invisible, and it exists only as movements of the air at a particular place and time. A score of...
Jane Werry Teaching Materials
For more than 100 years, music has played an essential role in films, relied upon to enhance the mood, set the atmosphere, signal changes and magnify the impact of the action on screen. Music can do...
Simon Rushby Teaching Materials
This is the second part of a resource looking at the development of the symphony, which is the compulsory Area of Study for Eduqas AS and A level. AS students study from 1750 to 1830 (which was mostly...
Maria Johnson Teaching Materials
In this resource, Edward Maxwell will be looking at how learning literacy can provide a useful model for learning to read music: teaching music should take a holistic approach in which reading,...
Edward Maxwell Teaching Materials
Although I never again want my students to be judged and marked on how well they play a C sharp minor scale, or recognise a modulation, or sightread, I do feel that there is a need (as do most...
Richard Steggall Teaching Materials
Mozart’s string quartets should not dismissed since comparisons between string writing, textures and dialogue will be interesting. As with all prescribed works, understanding Mozart’s (and his...
Hanh Doan Teaching Materials
For the first time since 2019, students taking GCSE music will be sitting a listening paper this year. The students currently in Year 11 have experienced major disruption over the last two years, so...
Simon Rushby Teaching Materials
This is the second of a two-part resource providing ideas for a full scheme of listening starters for KS3: one lesson a week for three years. This resource will cover repertoire from the modern era,...
Jane Werry Teaching Materials