In this resource, we’ll look at two works in Edexcel’s GCSE AoS4, ‘Fusions’, and explore teaching and learning ideas. We’ll go deep into the harmony of Esperanza Spalding’s ‘Samba em prelúdio’, and...
David Guinane Teaching Materials
This resource aims to provide some more contextual information and suggest some wider listening, with which the teacher and student can engage in order to develop understanding of the Baroque solo...
Hanh Doan Teaching Materials
This resource will focus on three iconic pieces from the first half of the 20th century, listed in OCR’s Area of Study 6 (Innovations in music 1900-present day): Messiaen’s Quartet for the End of...
Richard Barnard Teaching Materials
Haydn is sometimes referred to as the ‘father of the symphony’, and this prescribed work comprises two movements from the penultimate of his extraordinary output of 104 within the form. Students will...
Jane Werry Teaching Materials
Some class teachers and parents fear that, in coming out of class lessons for their instrumental tuition, children may be missing out on important academic material.
Edward Maxwell Teaching Materials
In this final part of our mammoth journey, we trace the journey of opera through the 20th century, when it met significant competition in the form of jazz and pop styles, not least through the rise of...
Simon Rushby Teaching Materials
Pieces by Amy Beach, Cécile Chaminade and Rebecca Clarke are part of the wider suggested works on the Edexcel A level AoS2 ‘Instrumental Music’ study lists. All three represent links between Europe...
Richard Barnard Teaching Materials
In parts one and two of this four-part resource, we traced opera from the Renaissance and Baroque periods through to the Classical period. This month, we’ll see how the Romantic composers’ love of...
Simon Rushby Teaching Materials
Though there are many ways to approach the teaching of set works, it’s often the case that we stop once we feel students understand the work (well, once we feel they’re ready to take the examination)....
David Guinane Teaching Materials
This is the first of a two-part resource looking at how we can incorporate aspects of a student’s class curriculum into our instrumental teaching. There are too many subjects to fit into a single...
Edward Maxwell Teaching Materials
In part one of this resource, we looked at examples of the earliest surviving operas, including works by Monteverdi, Purcell and Handel. In part two, we’ll look at how opera – like so many other...
Simon Rushby Teaching Materials
Nurturing confidence in composition is absolutely crucial. In this resource, we’ll look at different scenarios for KS3 groups with a range of composing experience. We’ll outline short ‘quick-win’...
Richard Barnard Teaching Materials